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Kamen Rider Trilogy (Standard Edition) [Blu-ray]

(3)

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R$264,14

After the exclusive direct sale of the limited, numbered Elite Kollection that sold out in record time, THE KAMEN RIDER TRILOGY returns for a wider retail release! Considered the most elusive entries in the iconic sci-fi super hero series, the set includes-. SHIN KAMEN RIDER: PROLOGUE (1992)- Geneticists Kazamatsuri and Onizuka are performing experiments to create a mutant human that is immune to major diseases. Doctor Kazamatsuri’s motorcyclist son, Shin, is one of the test subjects whose DNA is fused with the DNA of a grasshopper! Unknown to the doctors, their operation is funded by a criminal group who plans to use the research to create an army of mutant cyborg soldiers. Meanwhile, a creature is stalking the city on a murderous rampage. Will Shin meet the challenge, slay the creature and discover who is actually behind the killings? (88 mins.) KAMEN RIDER ZO (1993)- Masaru Aso was the human guinea pig in a series of experiments conducted by geneticist Dr. Mochizuki that led to the creation of the Neonoid resulting in Masaru transforming into a grasshopper-like being calledKamen Rider ZO. After years of lying in a coma, Masaru is awakened by a telepathic call to protect Doctor Mochizuki’s son and faces an obstacle course of death-defying challenges by evil villains and indestructible monsters! From Keita Amemiya of ZEIRAM and HAKAIDER fame. (48 mins.) KAMEN RIDER J (1994)- Koji Segawa is a nature photographer who loses his life saving Kana, a young girl from an evil organization called “FOG”; When the Earth Spirits resurrect Koji as KAMEN RIDER J, he vows to use his new powers to destroy “FOG, save Kana and the human race! Directed by sci-fi visionary Keita Amemiya. (47 mins.) The KAMEN RIDER TRILOGY is fully loaded with EXTRAS!- AUDIO COMMENTARIES BY KAMEN RIDER SCHOLARS KEVIN DERENDORF, MATT BURKETT, AND MIKE DENT! – MESSAGE FROM KEITA AMEMIYA – HD PHOTO GALLERY – COLLECTIBLE O-RING SLIPCOVER

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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.

A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.